Knitting Factory Presents
CLAVVS, The Landing, Stranger Cat
CLAVVS is a duo helmed by four-time Grammy-winning producer Graham Marsh (Gnarls Barkley, Kid Cudi, T.I.) and vocalist & lyricist Amber Renee. The duo crafts alternative pop music that borrows from trip hop, world music and r&b. Earmilk calls CLAVVS' sound "fresh and brooding," while Indietronica describes the duo as "progressive, dark and hypnotic."
CLAVVS has performed with Rhye, Ibeyi and Baio, among others. They have also been featured on MTV's Teen Wolf, PBS' The Music Voyager, LA's KCRW and in global in-store playlists for H&M, Forever 21 and Bloomingdale's, among others.
Brooklyn’s ambassador of Space-pop, The Landing, is seeking to turn the struggle of finding one’s place in the Universe into an anthem for the optimistic. From his bedroom studio, The Landing produces infectious Indie Synth-pop tracks with a classically trained ear for orchestration and an insatiably curious eye for the Cosmos. His sound is eclectic and eccentric, both earthy and otherworldly, lyrically interwoven with themes of ambition and the human condition.
Raised in the urban sprawl, Stranger Cat—a musical project from Cat Martino —was born out of a respite in the wilderness.
Though it’s possible you can’t place her name, if you’ve been paying attention to independent music over the past several years you have almost certainly heard Cat Martino’s voice. The Brooklyn native was Sufjan Stevens’ right hand woman for Age of Adz and All Delighted People albums and world tour, recorded/toured with Sharon Van Etten circa Epic,
she sings on the new Son Lux record Lanterns, appeared
with The Shins on SNL and Williamsburg Park. She has opened tours in US or EU for Marissa Nadler, Indians, Night Beds, Rufus Wainwright, Black Rebel Motorcycle Club, Patrick Watson, Gardens and Villa and more.
In 2012, Cat retreated from Brooklyn to spend the winter in the Sierra Foothills, writing and recording new songs. In snowed-in seclusion, simple melodies or beats morphed into walls of sound, sequenced in patterns of many-layered complexity.
Joined by partner in crime and multi-instrumentalist Sven Britt, each of them recorded and produced each other to make the Stranger Cat songs grow.
Often a cat would come to the sliding glass door to listen, meowing to be let in. When it appeared daily they called it Stranger Cat, and observed its alien supernatural powers, as she’d heard tell of the Foothills’ long history of UFO sightings and ghost haunts. One day they let Stranger Cat in. The plump feline ate all the kitty food and left.
For live shows, Cat & Sven concoct a mesmerizing set of sound, much bigger than just their duo. They stand out by creating an aurally and visually vivid and energetic performance, making live loops onstage using voice, synths, and drum machines, while playing guitars, and various other instruments and pedals. All of this is to serve the song - dark, sexy, soulful, playful and dream-like - that might just make you let yourself go and dance a little bit.